カラー | ブラック |
---|---|
電池付属 | いいえ |
電池使用 | いいえ |
ブランド名 | ソニー(SONY) |
メーカー | ソニー(SONY) |
製品型番 | SEL24240 |
発売年 | 2015 |
その他 機能 | 手ぶれ補正, 防塵・防滴 |
組立方式 | ソニー E |
製品サイズ | 11.9 x 8.1 x 8.1 cm; 780 g |
商品重量 | 780 グラム |
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新品:
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¥78,980¥78,980 税込
無料お届け日:
3月31日 日曜日
発送元: Amazon 販売者: カメラプラザ インボイス適格事業者
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ソニー(SONY) 高倍率ズームレンズ フルサイズ FE 24-240mm F3.5-6.3 OSS デジタル一眼カメラα[Eマウント]用 純正レンズ SEL24240
詳細はこちら
詳細はこちら
購入オプションとあわせ買い
ブランド | ソニー(SONY) |
焦点距離の説明 | 240 mm |
レンズタイプ | 望遠 |
対応マウント | ソニー E |
カメラレンズの説明 | ズームレンズ |
この商品について
- Eマウント35mmフルサイズ対応レンズ初、光学10倍高倍率ズームレンズ
- 広角24mmから望遠240mmまでをカバーする幅広いズーム領域
- 手持ち撮影時に威力を発揮する、光学式手ブレ補正機能搭載
- 防塵防滴に配慮した設計
Amazon 新生活SALE (Final) を今すぐチェック
よく一緒に購入されている商品
![ソニー(SONY) 高倍率ズームレンズ フルサイズ FE 24-240mm F3.5-6.3 OSS デジタル一眼カメラα[Eマウント]用 純正レンズ SEL24240](https://images-fe.ssl-images-amazon.com/images/I/51K9K6dhWpL._AC_UL116_SR116,116_.jpg)
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商品の情報
詳細情報
登録情報
商品モデル番号 | SEL24240 |
---|---|
ASIN | B00U29GNC8 |
Amazon.co.jp での取り扱い開始日 | 2015/3/4 |
おすすめ度 |
5つ星のうち4.0 |
Amazon 売れ筋ランキング | - 70,172位家電&カメラ (家電&カメラの売れ筋ランキングを見る) - 168位一眼レフカメラレンズ |
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類似商品と比較する
この商品 ![]() ソニー(SONY) 高倍率ズームレンズ フルサイズ FE 24-240mm F3.5-6.3 OSS デジタル一眼カメラα[Eマウント]用 純正レンズ SEL24240 | おすすめ | dummy | dummy | dummy | dummy | |
もう一度お試しください 追加されました | もう一度お試しください 追加されました | もう一度お試しください 追加されました | もう一度お試しください 追加されました | もう一度お試しください 追加されました | もう一度お試しください 追加されました | |
価格 | -21% ¥129,800¥129,800 参考: ¥163,900 | -17% ¥44,045¥44,045 参考: ¥52,900 | -11% ¥164,790¥164,790 参考: ¥184,800 | -26% ¥67,077¥67,077 参考: ¥90,200 | -13% ¥131,455¥131,455 参考: ¥150,700 | -5% ¥141,200¥141,200 過去: ¥149,000 |
配達 | 最短で3月31日 日曜日のお届け予定です | 最短で3月31日 日曜日のお届け予定です | 最短で3月31日 日曜日のお届け予定です | 最短で3月31日 日曜日のお届け予定です | 最短で3月31日 日曜日のお届け予定です | 最短で4月5日 金曜日のお届け予定です |
お客様の評価 | ||||||
オートフォーカス | 4.0 | 4.2 | — | 3.7 | — | 3.9 |
軽さ | 2.9 | 5.0 | 4.3 | 3.7 | — | — |
画質 | 4.2 | — | 4.0 | — | — | 4.1 |
手ぶれ補正 | — | 3.9 | — | 3.8 | — | 4.0 |
販売元: | YAMshop | TOP PRICE -カメラスタジオ- | フォーダース | YAMshop | Amazon.co.jp | SINCO オンラインショップ |
レンズタイプ | 望遠 | 標準 | 標準 | 望遠 | 17群12枚 | 15郡21枚 |
対応マウント | ソニー E | ソニー E | ソニー E | ソニー E | ソニー E | キヤノン EF-S |
レンズデザイン | ズーム | ズーム | ズーム | ズーム | ズーム | ズーム |
フォーカスタイプ | オートフォーカス | オートフォーカス | オート/マニュアル | オートフォーカス | オートフォーカス | オート/マニュアル |
最小焦点距離 | 24 millimeters | 28 millimeters | 20 millimeters | 18 millimeters | 18 millimeters | 70 millimeters |
最長焦点距離 | 240 millimeters | — | 70 millimeters | 200 millimeters | 200 millimeters | 200 millimeters |
固定焦点距離 | 24 millimeters | 60 millimeters | 20 millimeters | 20 millimeters | 20 millimeters | 70 millimeters |
特定の情報をお探しですか?
メーカーによる説明
写真作例

1/60 F5.6
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写真作例

1/80 F5.6
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写真作例

1/160 F6.3
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主な特徴
広角24mmから望遠240mmまでを1本でカバーする、FEレンズ初の光学10倍高倍率ズームレンズ。非球面レンズ5枚とEDガラス1枚を採用した光学設計により、レンズの小型化を図りながらも広角24mmを実現。諸収差も良好に補正し、画面周辺まで高い解像力を発揮します。フォーカス駆動にはリニアモーターを採用し、高倍率ズームレンズでありながら高速かつ静粛な動作を実現。さらに、光学式手ブレ補正機能の搭載により、手ブレしやすい望遠撮影や薄暗い場所でもしっかり手ブレを抑える。また、レンズ外装には防塵・防滴に配慮した設計を採用。旅行や運動会など、これ1本でさまざまな撮影シーンに対応する。
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FE 24-50 mm F2.8 G | FE 20-70 mm F4 G | FE 24-70mm F2.8 GM2 | FE 24-70mm F2.8 GM | FE 24-105mm F4 G OSS | FE 24-240mm F3.5-6.3 OSS | |
カスタマーレビュー |
— |
5つ星のうち4.5
13
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5つ星のうち4.5
34
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5つ星のうち4.4
32
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5つ星のうち4.1
123
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5つ星のうち4.0
252
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価格 | — | ¥164,790¥164,790 | ¥280,000¥280,000 | ¥225,280¥225,280 | ¥142,000¥142,000 | ¥129,800¥129,800 |
レンズブランド | Gレンズ | Gレンズ | GMレンズ | GMレンズ | Gレンズ | |
焦点距離 | 24‐50mm | 20-70mm | 24-70mm | 24-70mm | 24-105mm | 24-240mm |
F値 (解放絞り) | F2.8 | F4 | F2.8 | F2.8 | F4 | F3.5ー6.3 |
絞り羽根 (枚) | 11 | 9 | 11 | 9 | 9 | 7 |
【最適撮影シーン】 風景/スナップ | ● | ● | ● | ● | ● | ● |
【最適撮影シーン】 人物/ペット | ● | ● | ● | ● | ● | ● |
【最適撮影シーン】 花/モノ | ● | ● | ● | ● | ● | ● |
【最適撮影シーン】 野鳥/乗り物 | ||||||
Vlog撮影におすすめ | ● | ● | ● | ● | ||
質量 | 440g | 488g | 695g | 886g | 663g | 780g |
商品の説明
ソニー デジタル一眼カメラα[Eマウント]用レンズ
イメージ付きのレビュー

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トップレビュー
上位レビュー、対象国: 日本
レビューのフィルタリング中に問題が発生しました。後でもう一度試してください。
難点を言えば、ずっしり重いこと、かな。それから、広角端24mmは、狭い部屋で人を映したり、風景を俯瞰したりするには少し狭く感じます。いまは、このレンズ(24-240mm)をメインでつけていますが、時々16-35mmの広角ズームも使っています。また、近接撮影ができないので、花や動物のアップをとるときは、単焦点マクロ50mmを使っています。
コンパクト感が良いと思い
Sony ミラリスcameraに替えました。
標準ズームレンズよりもっと距離感が
欲しくて色んな事を悩んだ末
このレンズを選びました。
新品なのに箱が古くてレンズの包装も
ビニルだけで巻いていたので
ちょっとがっかりしました。
レンズは新品の様には見えます。
これからの撮影が楽しみです。

コンパクト感が良いと思い
Sony ミラリスcameraに替えました。
標準ズームレンズよりもっと距離感が
欲しくて色んな事を悩んだ末
このレンズを選びました。
新品なのに箱が古くてレンズの包装も
ビニルだけで巻いていたので
ちょっとがっかりしました。
レンズは新品の様には見えます。
これからの撮影が楽しみです。


1)ズームリンクが一定の力で回せない
2)フードに凹み傷あり
3)レンズ全体がベタベタする
ちなみにベタベタはエタノールで拭いてくださいの返答だけがきました。ぼぼ新品と書いてあるのに交換しましょうかの一言もなかった。こちらから返品しますと返事したらその後返答はなかった。応対が悪く商品説明に偽りありと感じた。気をつけてください。
他の国からのトップレビュー

Packaging is minimal but the plus side is that it's quick to unpack. Unlike some other Sony lenses and particularly the Zeiss, the box just barely fits the lens. Inside you find the typical literature and the lens itself wrapped in a small bubble wrap bag. No additional cardboard bracing, no lens bag, no extra protection. This is true minimalist packaging. Thankfully mine came from Amazon packed in a larger box with some other items (soft items).
I've used super zooms from Canon, Tamron, Sigma and several others and have never felt that I was getting this level of performance. Of course, this lens costs a good deal more than the others but it shows in build quality and image quality.
Strengths:
Outstanding Image Quality
Excellent Build Quality
Excellent Range
Ideal Carry Lens for All Day Outing
Cons:
A bit on the heavy side can leave a small body feeling unbalanced
Packing was minimal. Thin cardboard box and some bubble wrap
Zoom is stiff right out of the box, hoping it breaks in


2015年3月19日にアメリカ合衆国でレビュー済み
Packaging is minimal but the plus side is that it's quick to unpack. Unlike some other Sony lenses and particularly the Zeiss, the box just barely fits the lens. Inside you find the typical literature and the lens itself wrapped in a small bubble wrap bag. No additional cardboard bracing, no lens bag, no extra protection. This is true minimalist packaging. Thankfully mine came from Amazon packed in a larger box with some other items (soft items).
I've used super zooms from Canon, Tamron, Sigma and several others and have never felt that I was getting this level of performance. Of course, this lens costs a good deal more than the others but it shows in build quality and image quality.
Strengths:
Outstanding Image Quality
Excellent Build Quality
Excellent Range
Ideal Carry Lens for All Day Outing
Cons:
A bit on the heavy side can leave a small body feeling unbalanced
Packing was minimal. Thin cardboard box and some bubble wrap
Zoom is stiff right out of the box, hoping it breaks in








The f-stops go accordingly: 24mm f3.5 --- 40mm f4.5 --- 60mm f5.0 --- 70mm f5.6 --- 105mm f6.3 --- 240mm f6.3. Although not exact that is the positions that you’ll get the f-stops occurring.
I understand that this lens isn’t the sharpest out there and they are probably correct about that but what I see on the camera and PC is very impressive. Unless you’re a pixel peeper it will be somewhat difficult to see the difference with the naked eye but for my purposes, this lens has excellent sharpness outdoors. I say outdoors because indoors the picture does get noticeable degradation in picture quality but that is the case regardless of the lens you use depending on low light conditions.
It is understood that the Sony 24-240 is not too well suited for low light conditions but in my initial tests inside with only incandescent lights I find that the quality is not bad even at an ISO setting of 3200. In that setting, indoors, I find this lens is still pretty decent but how many people shoot indoors. I would think that most people do their photography outside in daylight hours which is another story for, then, you can expect the quality of your photos to go up tremendously. I know mine does.
For me, I love to take a photo of the moon now and then. Doing so with this lens is totally acceptable. It may not do as good a job as some of the others but for my purposes it is great. Although this lens is rated at 240mm it is possible, at least with Sony A7RII, to get a focal length of 360mm with this same lens. How? Simply go to your camera settings (this may be different in other Sony models), the one that looks like a gear, and choose file option titled, ‘APS-C/Super 35mm’ and set that to ‘ON’. Doing so will treat this FULL FRAME lens as if you had a CROP lens on it and so the camera sees the lens, not as a 240mm full-frame but a 360mm crop sensor. Although in crop mode you can only shoot JPG, not RAW, you can still get a decent picture of the moon or other distant objects that are too far.
I noticed in one post a gentleman said that the mount was flimsy in that it had a loose fit. Unless that is a manufacturing defect mine fit just as snug as all my other lenses so no problem there.
As for picture quality, I heard several folks say that the photos were either blurry or not up to standards as far as being sharp. Like I said earlier, even though this lens may not be the best, I find the one I have to be quite sharp and not nearly as bad as what the other folks are saying in their respective reviews.
Also, this lens is a very good all-around go-to lens. Instead of carrying several lenses around and replacing them when needed, you can do it all with this lens. You have your selection of 24mm, 35mm, 50mm, 70mm, 100mm, 150mm, and 240mm. If you’re like me, one who takes photos for pleasure rather than a professional photographer who makes their living off of photography, then this lens is more than adequate for 97% of my needs.
Overall, I am pleasantly satisfied with this lens. It’s especially good to have when you need a longer focal length that will enable you to bring stuff up closer when the need arises. And, if by chance, I need something with a wider aperture such as f1.8 or lower I can always fall back on the lens I have on hand that accommodates for that. Since I rarely shoot indoors, I find that I don’t need those other lenses all that often.


2022年2月12日にアメリカ合衆国でレビュー済み
The f-stops go accordingly: 24mm f3.5 --- 40mm f4.5 --- 60mm f5.0 --- 70mm f5.6 --- 105mm f6.3 --- 240mm f6.3. Although not exact that is the positions that you’ll get the f-stops occurring.
I understand that this lens isn’t the sharpest out there and they are probably correct about that but what I see on the camera and PC is very impressive. Unless you’re a pixel peeper it will be somewhat difficult to see the difference with the naked eye but for my purposes, this lens has excellent sharpness outdoors. I say outdoors because indoors the picture does get noticeable degradation in picture quality but that is the case regardless of the lens you use depending on low light conditions.
It is understood that the Sony 24-240 is not too well suited for low light conditions but in my initial tests inside with only incandescent lights I find that the quality is not bad even at an ISO setting of 3200. In that setting, indoors, I find this lens is still pretty decent but how many people shoot indoors. I would think that most people do their photography outside in daylight hours which is another story for, then, you can expect the quality of your photos to go up tremendously. I know mine does.
For me, I love to take a photo of the moon now and then. Doing so with this lens is totally acceptable. It may not do as good a job as some of the others but for my purposes it is great. Although this lens is rated at 240mm it is possible, at least with Sony A7RII, to get a focal length of 360mm with this same lens. How? Simply go to your camera settings (this may be different in other Sony models), the one that looks like a gear, and choose file option titled, ‘APS-C/Super 35mm’ and set that to ‘ON’. Doing so will treat this FULL FRAME lens as if you had a CROP lens on it and so the camera sees the lens, not as a 240mm full-frame but a 360mm crop sensor. Although in crop mode you can only shoot JPG, not RAW, you can still get a decent picture of the moon or other distant objects that are too far.
I noticed in one post a gentleman said that the mount was flimsy in that it had a loose fit. Unless that is a manufacturing defect mine fit just as snug as all my other lenses so no problem there.
As for picture quality, I heard several folks say that the photos were either blurry or not up to standards as far as being sharp. Like I said earlier, even though this lens may not be the best, I find the one I have to be quite sharp and not nearly as bad as what the other folks are saying in their respective reviews.
Also, this lens is a very good all-around go-to lens. Instead of carrying several lenses around and replacing them when needed, you can do it all with this lens. You have your selection of 24mm, 35mm, 50mm, 70mm, 100mm, 150mm, and 240mm. If you’re like me, one who takes photos for pleasure rather than a professional photographer who makes their living off of photography, then this lens is more than adequate for 97% of my needs.
Overall, I am pleasantly satisfied with this lens. It’s especially good to have when you need a longer focal length that will enable you to bring stuff up closer when the need arises. And, if by chance, I need something with a wider aperture such as f1.8 or lower I can always fall back on the lens I have on hand that accommodates for that. Since I rarely shoot indoors, I find that I don’t need those other lenses all that often.





Questions: Do you have a full frame or crop sensor camera? What is your environment or the environment in which you will be shooting? What will be your subject? If you have a camera with the capability to use different lens', is this lens right for you? Will you be taking video as well?
The answers to these questions will vary based upon you.
However, things to keep in mind; If you have a Sony a5000-6500 series or an A7r II, the 18mm-200mm is a better choice because it is made for a crop sensor. You get wide shots and telephoto capabilities in one because the crop factor for this full frame lens increases its focal length by 1.5x, effectively making it a 36mm-360mm instead of a 24mm - 240mm. If you are looking for a longer focal length though, there are better solutions than this lens for about 70 dollars more at your local camera/electronics store (70-300mm G lens is my recommendation).
This lens (24mm-240mm) works best in bright environments. If you will be taking photos in a arid environment, it prevents you from having to swap lens, which is a plus for saving your sensor from being exposed to dirt and debris. It does poorly in low light if you are trying to keep your ISO down or use a higher shutter speed. It hunts for focus in those situations as well.
Works great in a city, does pretty well in backcountry. Backpackers or traveling photographers keep in mind that it is a heavy lens. This will cause sloping on a tripod, so you'll have to angle it higher to compensate for the tilt. Additionally for the cinematographers/videographers or anyone looking to shoot video, it can not be used on a gimbal effectively. Handheld video is also affected by adding too much camera shake when zooming in, even with OSS and in body camera image stabilization (IBIS).
Those looking to use this lens to take close up shots or use it as a secondary macro lens, be aware that the Minimum Focal Distances (MFD) is 1.6 feet but increases to 3 feet at the end of the focal length. That means at 300mm you will need to be at least 3 feet away from your subject to get it to focus. Autofocus Time (AFT) and Manual Focus Time (MFT) are not very fast.
Additionally, this lens has one of the lower resale values on the market because it is so frequently returned; since it covers a broad focal range, it does not capture the best of the best when it comes to portraits, landscapes, macros, etc. This is why the prime lens market still exists. A rough resell estimate has been between 50 - 70% off of its market value. So although it is a very well made and a great multipurpose lens, it does have a niche market and that applies to usage as well.
Pros:
- Large focal length coverage!
- Quality build
- Rigid zoom ring
- Prevents censor exposure in windy, debris filled environments
- Prevents continuous swapping of lens'
- Takes a great quality image (great not excellent)
- OSS
- Dust and Moisture Resistant (Not debris resistant!)
Cons:
- Expensive
- Heavy
- Poor resale value
- Not particularly good at one thing
- Poor AFT/MFT
- Poor MFD (as per other options within its price range)
- Not weather sealed
Lens Recommendations:
For Sony ASP-C users; the 18mm-200mm is better at covering the focal lengths you'll need if this lens is for you.
For Video; the 18mm - 105mm G lens. Internal focusing with power zoom for $600 USD. Maintains video integrity and balance on a gimbal.
For Telephoto - Close-ups; Sony 70mm - 300mm F4 G lens. This can be picked up for $925 USD if you shop around, buy used, or price match. Much better AFT/MFT and reduced MFD at the end of the focal length.
For Macro - Portait; Sony 90mm F2.8 Macro Lens. Quality, quality, quality. Superb close-ups and better portraits.
For Ultrawide Landscape/Architecture/Interior; Rokinon 12mm F2. Sharp, manual, cheap, great build quality (FOR PHOTOS ONLY). For video ultra wide, Sony 12-24mm F4. Very expensive. Try to buy used. Best of the best.
For kit lens replacement; Vario-Tessar T* 16mm-70mm F4. Great overall lens that is incredibly sharp and produces accurate color reproduction. Although has an external zoom, the zoom ring is very smooth for an easy transition.
Tips: If you want to increase the focal length even further, you can do it digitally within your camera by using the 'Clear Image Zoom' function. This Maintains image integrity while providing a more up-close shot. You will lose the ability to shoot RAW by using it, however by using an S-LOG Picture Profile, with the Cont. Braket, HDR, or DRO Bracket modes, image quality reduction is at a minimum. Sony recommends that you use the 'Neutral Creative Style' for photos if you will be post-editing, however I have found the Picture Profile Setting (which is recommended for video), specifically PP7-PP9 to be more effective for post processing. If you have a Sony a6000 or lower, you will have to resort to using the 'Creative Style Neutral' as your camera does not have the Picture Profile Function.
I hope this helped! Take care!